5 - ART GALLERY AND MUSEUM GUIDE

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Description

Peter is one of our 5-star rated voice talents on Voices.com. He is a highly experienced and reliable British voice artist with a deep, rich but clear \"R.P.\" voice and with a broadcast quality studio where he can record demos or finished masters and you can direct him via Skype or ipDTL or ISDN. He's been a newsreader for the BBC for many years, so there's a serious side to Peter, but he also excels with his varied crazy character voices from wizards to mad scientists who have featured on games and various animations. Peter's very experienced at eLearning and training scripts particularly management and pharmaceutical scripts, and he has his own broadcast quality studio in the UK, offering fast turnarounds. Recent projects have been for MSC Cruises, Jaguar, Aston Martin and Lego.

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Vocal Characteristics

Language

English

Voice Age

Middle Aged (35-54)

Accents

British (General) British (Received Pronunciation - RP, BBC)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
Daniel Spoerri is work. The Seville, Syria's number 16 is on original still life, composed off objects left after a finished meal. It is an assemblage, in other words, a work containing three dimensional objects attached to a flat base. Its dimensions are 80 by 160 by 40 centimetres. Plates, cutlery, platters with remnants of food glasses, wine bottles and full ashtrays were fixed exactly to the spot where the banquet is had left them. The top left corner of the composition features a working lamp the work has presented as a painting vertically on the war. As the name itself indicates, the work is the 16th assemblage in the Siri's. Each work has a subtitle, starting from Words Eaten by and a description, Where and Who a Given Meal was eaten by Sperry calls the gastronomic aspect of his creative work. The art of eating. This concept appears among others, in happenings during which, in cooperation with other artists, he arranged dinner parties for invited guests where art critics played the role of waiters. Daniel's Perry's compositions of this type constitute the so called picture traps, and they are definitely the best known examples of his work. The first such object was created in 1960. Since then, the artist has constantly combined art with everyday life, taking advantage of the significance of coincidence in the creative process by an assumption condemned to fail this attempt at capturing and keeping a fleeting experiences. Slightly ironic, 1 may also trying to take reflections on the transient nature of things.